According to the contents of the mural, the resurrected prince, in a non-human form, returned to the shore, killed the usurper and an entire army with formidable force, and reclaimed the throne.
He then promoted more advanced architectural technology and bronze smelting techniques within the kingdom, creating magnificent ancestral temples and palace complexes.
In the final scene of the mural, the exceptionally tall prince, or rather the King of Cangze, was wearing a tightly sealed yellow robe, sitting regally on his throne. Through eyes inlaid with pearls, he gazed down at the subjects below the palace who were as insignificant as ants.
Sikong Lan shivered unexplainably; the style of the rock painting was primitive and barbaric, with the background subjects below the palace resembling simple line figures like those in Huashan rock paintings, yet the depiction of the King of Cangze was extraordinarily vivid,
