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THE DEATH ARTIST

Anziz_Daouda
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Synopsis
In the Golden Age of humanity, when every person possesses supernatural abilities called Arts, Adrian Beaumont appears to be everything society admires. A master of the elegant combat style known as Phantom Dance, he runs a prestigious martial arts academy for young noblewomen in the isolated valleys of the Astoria Kingdom. His reputation as a skilled instructor and wealthy gentleman makes him the perfect catch for any ambitious family seeking to elevate their daughters' status. But perfection is Adrian's greatest lie. Abandoned at five by a prostitute mother who used Mind Arts to manipulate his emotions, Adrian was raised by Master Takeshi, a reformed assassin who taught him that true art transcends mere violence. Under this tutelage, Adrian learned to move like liquid shadow, to strike with supernatural precision, and to transform combat into poetry. Yet where Takeshi sought redemption through discipline, Adrian found only a more sophisticated way to express his hatred. Each woman who enters his estate becomes part of an elaborate performance. He studies their Arts, learns their weaknesses, and then orchestrates their deaths with the same meticulous care a composer brings to a symphony. His underground gallery preserves thirty-seven bodies in poses of perfect artistry, each one a testament to his growing mastery of what he calls the Dance of Death. Adrian's evolution as a predator follows a deliberate progression. He begins with naive noble girls whose Combat Arts are decorative at best, then escalates to seasoned warriors whose Elemental Arts can reshape landscapes. Each victim forces him to innovate, to push his Phantom Dance technique beyond its limits. His signature move, the Death's Waltz, becomes a legend whispered in martial arts circles—a technique so beautiful that witnesses claim it resembles an angel's final dance. The game changes when Sara Kane arrives at his estate. Unlike his previous victims, she possesses the Shield Maiden Art, a defensive technique that adapts to any attack. More importantly, she has an investigator's instinct inherited from her brother Marcus. When she becomes the first person to survive an encounter with Adrian, she triggers a chain of events that will transform his intimate murders into open warfare. Inspector Marcus Kane wields the Truth Seeker Art, an ability that allows him to reconstruct crime scenes and detect deception. As he follows Sara's fragmented testimony into the mystery of dozens of missing women, he discovers that Adrian Beaumont doesn't just kill—he curates death like a gallery exhibition. The investigation becomes a psychological duel between two masters of their respective Arts: one who seeks truth, another who has made lying into an art form. But Adrian refuses to be cornered quietly. As the investigation closes in, he abandons all pretense of subtlety. His killing spree escalates from careful selection to bold declaration. He targets the kingdom's most legendary female warriors, turning each battle into a public spectacle. Lady Victoria Ashford, master of the Celestial Sword Art, becomes his most ambitious victim yet—a confrontation that will require Adrian to reveal techniques he has kept hidden for years. The kingdom mobilizes against him, but Adrian has spent decades preparing for this moment. His estate becomes a fortress of death, every room designed to showcase a different aspect of his artistic vision. The martial arts world watches in horror as he transforms their most sacred techniques into instruments of systematic murder. His philosophy spreads like poison among his admirers: that beauty can only be achieved through destruction, that art requires the ultimate sacrifice.
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Chapter 1 - Chapter 1: The golden age

The morning light filtered through the tall windows of the dojo, casting long shadows across the polished wooden floor. Adrian Beaumont stood motionless in the center of the room, his breathing so controlled it seemed he had become one with the silence itself. At twenty-eight, he possessed the kind of masculine beauty that made both men and women pause mid-conversation when he entered a room. His black hair fell in perfect waves to his shoulders, and his ice-blue eyes held depths that promised understanding while concealing everything.

He moved.

The transition from stillness to motion was so fluid it seemed to violate the laws of physics. One moment he stood centered, the next he was airborne, his body describing a perfect arc through the morning light. His right leg extended in what appeared to be a simple crane kick, but as his foot reached its apex, something extraordinary occurred. The air itself seemed to ripple, and for an instant, three translucent images of Adrian occupied the same space, each executing the movement at a slightly different angle.

This was the Phantom Dance, the martial art that had made him legendary throughout the kingdom of Astoria. But legend was merely the surface of a much deeper truth.

Adrian's foot connected with the wooden training post with surgical precision. The impact produced no sound, yet the post split cleanly in half, the wood separating as if it had been cut with the finest blade. He landed without disturbing a single mote of dust on the floor, his breathing unchanged, his expression serene.

"Perfection," he murmured to himself, the word carrying the weight of obsession.

The memory came unbidden, as it always did after he practiced. He was five years old again, standing in the cramped apartment that reeked of cheap perfume and cheaper wine. His mother, Celestine, knelt before him, her hands cupping his small face with a gentleness that had never been genuine.

"You must understand, my beautiful boy," she had whispered, and even then he had felt the subtle invasion of her Mind Arts pressing against his consciousness. "Mama has to go away. But not because she doesn't love you. No, never that."

The lie had been wrapped in supernatural compulsion, designed to ease his pain and make him accept her abandonment. But Adrian had been born with an unusual resistance to mental manipulation, a quirk that would later contribute to his mastery of the Phantom Dance. He felt every thread of her false comfort, every constructed emotion she tried to weave into his mind.

"The men who visit Mama, they have Arts too," she continued, her own eyes glowing with the telltale shimmer of activated abilities. "Combat Arts, Elemental Arts, Body Arts. But they all fall to the same weakness. They believe what they want to believe. They see what they want to see."

Her fingers traced his cheek, and he felt her power trying to reshape his understanding of reality. "Women understand this, my darling. We know that truth is just another tool, like beauty or tears or the promise of love. The world belongs to those who can make others believe their version of it."

Even at five, Adrian had recognized the poison in her words. But he had also recognized something else: the intoxicating power of the philosophy she espoused. If truth was malleable, if belief could be shaped, then perhaps pain could be transformed into something else entirely.

"I'm leaving you here," Celestine said, rising to her feet. "But I'm giving you something precious in return. I'm showing you the world as it truly is. Women are not the gentle creatures men pretend we are. We are artists of deception, and every man who falls for our performances deserves what he gets."

The last thing Adrian remembered of his mother was her smile as she walked out the door. It had been beautiful, radiant even. And completely empty.

The memory faded, returning him to the present moment in his dojo. Twenty-three years had passed since that day, and Adrian had learned to transform his mother's poison into his own philosophy. She had been wrong about one thing, though. Men were not the only ones who could be made to believe what they wanted to believe.

The dojo door opened with a soft whisper of hinges, and Adrian turned to see his groundskeeper, an elderly man named Thomas who had served the Beaumont estate for decades. Thomas had been one of Master Takeshi's few friends, and after the old martial artist's death, he had stayed on out of loyalty to Adrian.

"Master Beaumont," Thomas said, bowing slightly. "The young lady from the Whitmore family has arrived for her lesson."

Adrian's smile was perfect, warm enough to seem genuine while revealing nothing of his true thoughts. "Excellent. Please tell Miss Whitmore I'll be with her shortly. And Thomas? Prepare tea for afterwards. The good tea, from the cabinet in my study."

Thomas nodded and departed, leaving Adrian alone with the split training post and the morning light that now seemed somehow sharper, more focused. He walked to the window and looked out across the grounds of his estate, taking in the meticulously maintained gardens, the guest quarters where his students sometimes stayed overnight, and the old stone buildings that housed his more private pursuits.

The Golden Age of humanity had begun three centuries ago, when the first generation of children born with Arts had reached adulthood. Now, every person on the continent possessed some form of supernatural ability, though the strength and nature of these gifts varied wildly. Combat Arts, like his own Phantom Dance, were relatively rare and highly prized. Elemental Arts were more common but required extensive training to master. Body Arts and Mind Arts fell somewhere in between, while Craft Arts were so ubiquitous that most people barely considered them supernatural at all.

What made Adrian unique was not just his mastery of the Phantom Dance, but his possession of a secondary Art that he kept carefully hidden. His Silver Tongue was a variation of Mind Arts that allowed him to weave compulsion into his words, to make people want to believe what he told them. It was a subtle gift, nothing like his mother's crude emotional manipulation, but infinitely more dangerous in the right hands.

He had learned to use it not to control minds, but to reveal desires. To show people the permission they secretly craved to do what they already wanted to do. His students came to him claiming they wished to learn self-defense, but what they really wanted was to feel powerful. Dangerous. Beautiful in their capability for violence.

Adrian was happy to oblige.

The door opened again, and this time a young woman entered. Lady Catherine Whitmore was nineteen, possessed of the kind of golden beauty that came from noble breeding and a lifetime of careful grooming. Her Combat Arts were rudimentary at best, more decorative than functional, but she carried herself with the unconscious arrogance of someone who had never faced real danger.

"Master Beaumont," she said, offering a curtsy that was both respectful and subtly flirtatious. "I hope I'm not disturbing your morning practice."

"Not at all, Lady Catherine. I was just finishing my meditation." He gestured toward the split training post. "Today, I thought we might work on precision strikes. The ability to focus all your power into a single, perfect moment."

Her eyes lit up with interest, and Adrian felt the familiar satisfaction of a plan beginning to unfold. Catherine would be his thirty-eighth student, and if all went well, his thirty-eighth masterpiece.

But that was for later. For now, he would teach her the basics of the Phantom Dance, would show her how to move like water and strike like lightning. He would make her feel powerful and graceful and deadly. And in doing so, he would reveal the truth that lay beneath all the careful lessons and patient instruction.

The Golden Age had given humanity incredible gifts. But it had also given rise to predators who understood that the greatest power was not in possessing an Art, but in knowing how to use it to reveal the darkness that lived in every human heart.

Adrian smiled again, this time allowing a hint of genuine warmth to touch his eyes. Catherine was going to be a wonderful student. And when her lessons were complete, she would understand, as all his students eventually did, that the most beautiful art was the one that captured the precise moment when hope transformed into something else entirely.

The lesson began with stretching exercises, basic forms that would prepare Catherine's body for the more advanced techniques. But as Adrian guided her through each movement, his mind was already choreographing something far more complex. Something that would be worthy of the gallery he maintained in the depths of his estate, where thirty-seven previous students waited in poses of perfect, eternal beauty.

The Golden Age had taught humanity that everyone possessed the capacity for greatness. Adrian had simply learned to help them achieve it, one perfectly executed death at a time.